Dan Pelegrin

  At the edge of the crack, at the risk of the sidewalk. 2016 Photography 66 X 95 cm

    Untitled, 2024 (Compassion) Fine Art Print on 180g Canson paper. Wooden frame with Foam board closure. 1/5 + PA - 55 X 45 cm. In this rereading of Miquelângelo's work, I used 3 photos: one published on the ANRed website, where Palestinian poet Heba Kamal Abu Nada (1991 - 2023) holds a book in her hands; a second photo of a headdress belonging to a Gaurani indigenous woman and a final photo of the sculpture by Jonas Corrêa (sculptor_jonascorrea) installed in Praça da República in Cuiabá, MT. With this print I took part in the exhibition - PIETÁ - held at the Legislative Assembly of the State of Ceará in Fortaleza. _________________________________ First jobs Untitled, 2011 (Sacralities) Fine Art Print 55 X 45 cm. Jesus of Nazareth, 2004 ( Christianity ) Ink on paper 42 X 29,7 cm Goddess Themis, 2000 (Deity - Ancient Greece) Fine Art Print 50 X 40 cm

  Tarântula, 2013 Pastel chalk on paper 21 X 29,7 cm Jequitiranaboia

  Only get lost on the way, those who give up on taking the next step. Photo.  66 X 95 cm If in the calm of step by step there is meaning in the stones, the stumbling will be somewhere else. Photo, 2018 I belong to the routes, and them to united of life's path Photo. 2020

Untitled ( The peel turn butterfly tie, when I fold the banana four into one). 2021  Photography 59,4 X 42 cm Untitled (Kiwi Smile). 2021  Photography 59,4 X 42 cm Untitled (Strawberries Bumbie). 2019. Photography 59,4 X 42 cm Untitled (Penguin Pear). 2019 Photography 42 X 59,4  cm Untitled (Carrot Walk) 2022. Photography. 59,4 X 42 cm Untitled (Chou de Cœur) 2018. Photography. 42 X 59 cm First Jobs Scream of the pumpkin  In the boot hides the turmeric rabbit. Flower in the corn  Mouse Sprinkle

Sebá - 2024 "Sebá" brings together a series of digitally manipulated photographs produced by Dan Pelegrin during his walks along the shore of São Sebastião, on the north coast of São Paulo. Mixing photography and digital art, Dan's images invite us to see a landscape presented by the characters that occupy and frequent it, figures that multiply and infinify themselves by taking over the image, or, on the contrary, diminish in contrast to the rocks and reliefs of the beach. Through the artist's lens and editions, Sebá reveals the amenities and disparities between these characters who come onto the scene in São Sebastião, opening up ways for us to perceive flows and counterflows that draw the line of the beach as a space of contact and tension between different social realities. Sebá thus invites us to do as Otávio did, the only photograph in the exhibition that has not been digitally manipulated: to look once again at these landscapes and scenes that juxtapose nature a